San Francisco Center for the Book Presents: A Hand Bookbinders of California Master Class ::
Inlay and Onlay Techniques with Karen Hanmer :: Saturday & Sunday, February 9 & 10, 2019 ::
In this 2-day workshop, learn a variety of inlay and onlay techniques for use on leather bindings. Techniques demonstrated will include: backpared, feathered, flat and sculptural onlays; inlaid and incised lines; raised, flush and recessed inlays.
New Methods in 4-Color Letterpress with Rebecca Chamlee :: Saturday & Sunday, March 16 & 17, 2019 :: 9:30am-5:30pm
In this technical workshop, we’ll explore the possibilities of letterpress as a means for producing successful four-color continuous tone imagery.
The Ideal Sketchbook is modeled on the those used by Wordsworth and Ruskin as they wandered the Lake District to draw and write. Strong, elegant, and pleasing to use, it was the 'daybook' of choice for all the great Romantic poets and artists.
A great class for beginners, this album can also be made on the kitchen table with a few tools. This is a great book structure for artists and photographers who want to display their work in a beautiful, hand-made book.
Combine pop-up and movable book structures to bring dimension and animation to your books. Participants in this workshop will be introduced to the fundamentals of paper engineering and learn about the tools and materials of the craft.
Explore the joys of making your own historical decorated papers, then experiment with contemporary designs and inventive techniques.
Restoration of Family Bibles with Dominic Riley :: Monday-Friday, July 29-August 2, 2019 :: 9:30am-5:30pm
Explore the complexities of this challenging area of book restoration.
Ethiopian Codex & Traveling Case with Michael Burke :: Saturday & Sunday, August 10 & 11, 2019 :: 9:30am-5:30pm
The traditional method of binding books in Ethiopia survived relatively unchanged for over a thousand years. Learn this binding style and leave with a versatile book that lies flat when opened.
More summer workshops with Dominic Riley and Michael Burke coming February 2019!
About the Instructors
Michael Burke studied bookbinding with Dominic Riley and paper conservation with Karen Zukor. He lives in the Lake District, where he teaches bookbinding. In recent years he has taught and lectured at Society of Bookbinders conferences and seminars, and at Guild of Bookworkers meetings in the USA, as well as teaching tours in Australia, New Zealand and Brazil. Each year he teaches summer school at the San Francisco Center for the Book and across the USA. Michael researches the structures of ancient and medieval bindings, and has a Masters degree in the History of the Book from the University of London.
Rebecca Chamlee is a book artist, printer, writer and bookbinder who has published letterpress printed, limited-edition fine press and artist’s books under the imprint of Pie In The Sky Press since 1986. Rebecca’s artist’s books examine the intersection of her artistic and scientific interests by collecting and cataloging the natural world around her. She is motivated to record, interpret and celebrate nature.
Her work is in prominent special and private collections such as Yale University, University of California Berkeley, Stanford University and has been exhibited internationally.
Rebecca is an associate professor at Otis College of Art and Design in Los Angeles where she teaches bookbinding, letterpress printing and artists’ book classes and heads the Book Arts minor program. She also holds workshops at her studio and book arts centers throughout the country.
Karen Hanmer’s artist-made books are physical manifestations of personal essays intertwining history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Hanmer is winner of the Jury Prize for Binding in the 2009 Helen Warren DeGolyer American Bookbinding Competition. One of only ten graduates of the American Academy of Bookbinding’s Fine Binding program, Hanmer also holds a degree in Economics from Northwestern University. An acknowledged leader in the book arts community, she served on the editorial board of The Bonefolder, the peer-reviewed online book arts journal, and is a reviewer for the Guild of Book Workers Journal. Hanmer curated Marking Time, a triennial exhibition sponsored by the Guild of Book Workers. She offers workshops and private instruction focusing on a solid foundation in basic binding skills. See more of her work on her website at: karenhanmer.com
Dominic Riley Is an internationally renowned bookbinder, artist, lecturer and teacher. He has his bindery in the Lake District, from where he travels across the UK teaching and lecturing. He spends part of the year teaching in San Francisco and across the USA. His work is mostly restoration and Design Binding, for which he has won many prizes in the Designer Bookbinders competition. He was elected Fellow of DB in 2008. His bindings are in collections worldwide, including the British Library, the Grolier Club in New York and the San Francisco Public Library. In 2013 he won first prize, the Sir Paul Getty Award, in the International Bookbinding Competition. Dominic is President of the Society of Bookbinders.
Shawn Sheehy has been teaching book arts courses and workshops on the national level since 2001. His broadsides and artist book editions have been collected by such prestigious institutions as Stanford, Carnegie Mellon, University of Chicago, Library of Congress, UCLA, and Harvard. His pop-ups have been featured twice in both Hand Papermaking magazine and Vintage magazine. Sheehy's trade pop-up book Welcome to the Neighborwood (a mass-market version of his artist book) was released in 2015, winning numerous awards. The mass-market version of his artist book Beyond the Sixth Extinction was released through Candlewick in October 2018. He holds an MFA in the Book Arts from Columbia College Chicago.