This weeklong workshop begins with a hands-on lecture on a set of approximately twenty-five models of various historical and modern binding structures with a focus on methods of board attachment.
Restoration of Leather Bindings with Dominic Riley :: Monday-Friday, June 5-9, 2017 :: 9:30am-5:30pm
This intensive class is for those with some leather experience who would like to learn the fundamentals of the most challenging area of book restoration.
Ethiopian Codex & Travel Case with Michael Burke :: Saturday & Sunday, June 10 & 11, 2017 :: 9:30am-5:30pm
The traditional method of binding books in Ethiopia survived relatively unchanged for over a thousand years. Learn this binding style and leave with a versatile book that lies flat when opened.
Back by popular demand! This class sold out when Dominic first taught it four years ago.
This style, known as Ledger Binding, is the quintessential Victorian structure, and about as close to Steampunk as it gets!
Explore the joys of making your own historically decorated papers, then experiment with contemporary design and inventive techniques.
The Glazier Codex is one of the most unusual and fascinating of the ancient book structures. With its bone clasps, leather thongs, leather bands over wooden boards and a pattern of shapes which could relate to a dragon, this book is an exciting addition to your historical repertoire.
The Library Style was developed for the British Museum at the end of the nineteenth century by Douglas Cockerell, as a way of binding books which needed to be extremely robust yet could remain pleasing to use and would open well. Take a weekend to learn this sturdy binding structure.
Experience the pleasure of working with beautiful calfskin and learn the fundamentals of decorative blind tooled covers.
The Roman wax tablet, or pugillare, is the original Roman PDA. It was used for all sorts of written material of the time, from tax invoices and shopping lists to poetry. Learn to make your own and keep all your shopping lists the old school way.
Take a day to learn a sleek and elegant take on the slipcase. This classy box structure allows easy access to books that need housing.
Strong, elegant, and pleasing to use, this binding was the "daybook" of choice for the great Romantic English poets and artists. Learn this lovely structure in a full-day workshop with Master Bristish Bookbinder Dominic Riley.
About the Instructors
Michael Burke studied bookbinding with Dominic Riley and paper conservation with Karen Zukor. He lives in the Lake District, where he teaches bookbinding. In recent years he has taught and lectured at Society of Bookbinders conferences and seminars, and at Guild of Bookworkers meetings in the USA, as well as teaching tours in Australia, New Zealand and Brazil. Each year he teaches summer school at the San Francisco Center for the Book and across the USA. Michael researches the structures of ancient and medieval bindings, and has a Master Degree in the History of the Book from the University of London.
Karen Hanmer's artist-made books are physical manifestations of personal essays intertwining history, culture, politics, technology, and arid wit. Her work is included in collections ranging from The Getty Musuem and the Library of Congress to Yale University and Graceland. She is winner of the Jury Prize for Binding in the 2009 Helen Warren DeGolyer American Bookbinding Competition and is one of only nine graduates from the American Academy of Bookbinding's Fine Binding program. Hanmer is a leader in the book arts community, having served on the editorial board of the Bonefolder, as Exhibitions Chair for the Guild of Book Workers, and as frequent exhibition curator and juror. She offers workshops and private instruction focusing on a solid foundation in basic binding skills.
Dominic Riley is an internationally renowned artist, lecturer, and teacher. He has his bindery in the Lake District, from where he travels across the UK teaching and lecturing. He spends part of the year teaching in San Francisco and across the USA. His work is mostly restoration and Design Binding, for which he has won many prizes in the Designer Bookbinders competitions. He was elected Fellow of DB in 2008. His bindings are in collections worldwide, including the British Library, the Grolier Club in New York, and the San Francisco Public Library. In 2013 he won first prize, the Sir Paul Getty Award, in the International Bookbinding Competition.