Introduction to Pressure Printing

 Registration is closed for this event

July 1st, 2015 6:30 PM

  • Instructor: Elizabeth Boyne
  • Workshop Type: Printing
  • Workshop Status: Closed
  • Workshop Start: July 1st, 2015 6:30 PM
  • Workshop End: July 1st, 2015 9:30 PM
  • Sessions: 1

Add a softer edge to your prints as we experiment with pressure printing on the Cylinder Press. We’ll use an assortment of collage material to create atmospheric pressure prints, and we’ll play around with paper cutouts to create more photorealistic images.

In this class we’ll experiment with paper, thread, glue, and a variety of other materials to create collage-inspired prints. Bring a photocopy of a photo and we’ll use it as a base for a paper cutout that will create photographic prints.

Pressure printing’s ethereal quality works wonderfully with text and other letterpress imagemaking techniques—and it gives you a wide range of values with one run on the press. Increase your letterpress vocabulary with this simple and endlessly variable technique. Students will leave the course with a set of prints, new skills, and ideas that they can use in future printing projects.


Materials to bring: 

  • x-acto blade for paper cutouts
  • flat, non-abrasive materials or brushes to use as experimental tools in monoprinting
  • flat, non-abrasive materials to use as experimental collage tools for pressure printing
  • printouts of photos for pressure printing

Workshop + Materials Fee: $65.00

Date & Time: Wednesday, July 1, 2015 | 6:30pm-9:30pm
 
Location: This workshop will take place at 375 Rhode Island St, San Francisco, CA 94103

Note: Please review our Registration Policies before signing up for a class
About the Instructor | Elizabeth Boyne

Elizabeth Boyne is an Oakland-based book artist who received her MFA in book arts from the University of Iowa Center for the Book. She uses handmade paper, letterpress printing, and traditional book forms to create artist books and book-inspired installations. She has served as an artist-in-residence at Kala Art Institute and works at both the Stanford University Libraries conservation lab and at Logos Graphics in San Francisco.